“Stephen Karr … just what Stravinsky advocated … kept an orchestra and chorus of young performers on well-articulated rhythmic track.”

Mark Swed, L.A. Times

Bio

Born in Greenville, South Carolina, Stephen Karr is a compelling interpreter of opera and orchestral works, and is in demand as a conductor and keyboardist. He is in his third season as Music Director for Opera at the University of Memphis, where he led the inaugural production in the new Scheidt Family Performing Arts Center in Spring 2023, Puccini’s La bohème. He also debuted with Opera Memphis and the Memphis Symphony Orchestra with Zach Redler’s The Falling and the Rising in his first season in Memphis.

Before moving to Memphis, he was Associate Conductor and Artistic Administrator at Long Beach Opera from 2018-2021, where he was scheduled to conduct Robert X. Rodriguez’s Frida and Peter Maxwell Davies’s The Lighthouse, both productions which were cancelled by the COVID-19 pandemic. Conducting Frida, he made his debut with Anchorage Opera in Alaska in February 2020. In 2011, he co-founded Pacific Opera Project, for which he was music director until 2016. With POP, he led productions of Trouble in Tahiti, Così fan tutte, The Turn of the Screw, La Calisto (LA premiere), Ariadne auf Naxos and The Rake’s Progress (LA professional premiere), among others. The LA Times praised his performance of the Stravinsky as having kept orchestra, cast and chorus on “well-articulated rhythmic track.” He has worked as the music director for the OPERA Iowa tour, and been on music staff with the Glimmerglass Festival, Opera New Jersey and Palm Beach Opera. Karr has taught at Chapman University, Michigan State University, USC and UCLA.

His schooling includes degrees in organ (Mercer University and Westminster Choir College) and orchestral conducting (UCLA). He lives in Midtown Memphis with his wife, Hannah Waldman, and their children Leonard and Eleanor.

ENGAGEMENTS

Excerpts from The Queen, My Lord, Is Dead
Tomás Peire-Serrate
New Works Showcase, Opera America Conference
May 2025

The Rake’s Progress
University of Memphis/Opera Memphis co-production
Nov 2024

Don Giovanni
University of Memphis Opera Workshop
Apr 2024

“Pink Floyd & The Planets” (cover conductor)
Shoup: Suite from The Dark Side of the Moon; Janácek Sinfonietta; Holst The Planets
Memphis Symphony Orchestra
Mar 2024

The Falling and the Rising
Zach Redler
Opera Memphis
May 2023

La bohème
University of Memphis Opera Workshop
Apr 2023

Trouble in Tahiti / Dr. Miracle
University of Memphis Opera Workshop
Nov 2022

The Queen, My Lord, Is Dead (world premiere)
Tomás Peire-Serrate
Seven Sisters Productions
Jun 2022

“Romancing the Opera”
Arias and duets from Bizet, Bolcom, Mozart, Offenbach & Verdi
Sacramento Philharmonic & Opera
Feb 2021

Frida (COVID cancellation)
Robert Xávier Rodríguez
Long Beach Opera
Jun 2020

The Lighthouse (COVID cancellation)
Peter Maxwell Davies
Long Beach Opera
Mar 2020

Frida
Robert Xávier Rodríguez
Anchorage Opera
Feb 2020

“Passions”
Mozart: Overture to Le nozze di Figaro; Tchaikovsky: Violin Concerto; Bizet: excerpts from Carmen; Mendelssohn: Symphony no. 4
Parnassus Chamber Orchestra
Nov 2019

The Central Park Five (associate conductor)
Anthony Davis
Long Beach Opera
May 2019

Lost Childhood (world premiere)
Janice Hamer
Opera UCLA
Apr 2019

media

Suite aus Der Bürger als Edelmann, op. 60
Richard Strauss
UCLA Philharmonia
Apr 2019

The Queen, My Lord, Is Dead
Tomás Peire-Serrate
Seven Sisters Productions
Jun 2022

Tosca
Giacomo Puccini
Pacific Opera Project
Sept 2014

Suite aus den Orchesterwerken von J. S. Bach
J. S. Bach, arr. Gustav Mahler
UCLA Philharmonia
Apr 2019

Der Vetter aus Dingsda
Eduard Künneke
University of Memphis Opera Workshop
Nov 2023

Concerto for Violin and Orchestra in D Major, op. 35
Pyotr Ilyich Tchaikovsky
Emily Uematsu, violin; Parnassus Chamber Orchestra
Nov 2019

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